It was not only that the show, based on a Danish TV thriller that is cloudy, finished with no alternative to the murder of teen Rosie Larsen: It was that audience felt rightly so, and played. Yes, you can stop a season with a surprise, but if audience feels controlled or used, their first interest can turn to spiteful rejection faster than you can say, “Give me the remote.” But “The Killing” was not the only show to stop game of thrones season 1 episode 2 with a bang: HBO’s massive (and massively expensive) success “Game of Thrones” additionally shocked lots of audiences when the sensed lead character, Ned Stark, played by the brilliant Sean Bean, lost his mind. Those who have read George R.R. Martin’s basis-size medieval fantasy novels in the “A Song of Ice and Fire” show understood that Ned was doomed, but the remainder of the viewing audience was aghast. After all, you do not kill off a lead character in a show unless the show itself is going to finish.
But while the audience may have surprised, HBO got through Ned’s departure comparatively unscathed, while AMC went into triage mode. Both shows begin second go rounds Sunday night. “Thrones” is blessed with a horde of other compelling, murderous and hot characters to keep our interest in Ned’s lack. Needless to say, that is consistently the challenge of seeing “Game of Thrones” as well: keeping the seven kingdoms right. We got to recognize Ned, his spouse, Catelyn (Michelle Fairley), and their children. Now, with Ned gone, it is up to oldest son Robb (Richard Madden) to seek justice for his dad’s passing.
There have been changes in some of the other families also. The Targaryens are now absent one important relative, the unrelentingly bad Viserys (Harry Lloyd), who got a deadly gilding last season (not to be mistaken with deadly geldings, of which there are a few in “Game of Thrones”). Now his sister, Daenerys (Emilia Clarke), is directing her people through the grand Reddish Waste, still fixed on winning back her late father’s throne. At the same time, Cersei’s son Joffrey (Jack Gleeson) is now an extremely bad boy king, whose sadism threatens to inflict madness all around him. And then there is Renly (Gethin Anthony), the smaller brother of the late king of the seven kingdoms, Robert Baratheon (Mark Addy), who is supposed to wed Margaery Tyrell (Natalie Dormer) but it is her brother, Loras (Finn Jones), who gets his heart go pitapat. Beyond sex and the blood, these are carefully brought on individuals, inspired by love, envy, hate, remorse, lust, and yearning. The characters bring us into the activity and, once there, we need to follow every development.”
And that is exactly why folks were so annoyed when the year finished with none of the above … so far. It is unavoidable that whoever the ending of the first year’s forever turned off will tune into the two-hour premiere of the second season with some wariness. They might or might not be happy to understand that some possible defendants (I will not say how many) get cleared early on. And, like the first Danish show, the killer will be revealed by the American variant at the ending of the new season. If the show was not as otherwise great as “The Killing” is, we might lose patience. Notwithstanding the cat and mouse plotting, we see “The Killing” because of the brilliant review and recognition to character detail in the scripts by show executive producer Veena Sud and others. Those components continue to be there this year, which is why even dissatisfied spectators should give “The Killing” a second opportunity. Here’s hoping it earns enough audience devotion to winning the third season also.
HBO’s juggernaut play Game of Thrones returns with its third season, and for the very first time, Collider will do weekly recaps of all the activity. No spoilers for the coming season, but apparently if you’ven’t concluded game of thrones season 2 episode 1 subsequently in the name of the Seven go no farther! Hit the jump for you never, ever need to hear three horn blasts on the Wall. While most of Season Two just contained a couple of storylines per episode, the ending packaged everything in, giving time to all their principal characters and the leading houses. I’ve arranged the storyline reminders by house to keep matters as right as possible:
When Loras Tyrell requested Joffrey to wed his sister Margaery additional union took place, Renly’s “virgin” widow. Joffery concurs, throwing Sansa to the side with his mom’s approval. Margaery is making a bare-faced play for Queen, something that was considerably more dull in the novels, where her motivations were constantly questionable and sly. Next season, her grandma, called the Queen of Thorns, will come on the scene to help out with her machinations for power.
Cersei got lots of screen time this season, showing off more of style than we got in the A Clash of Kings novel (on which this season was mostly based). But, bringing forward some of her motivations that are disclosed in A Feast for Crows is undoubtedly a great thing. Joffrey stays a horrid little shit. Jaime is being seen back to King’s Landing after she supported her to flee the Tyrell camp following Renly’s untimely death by Brienne of Tarth, who serves Cat. These two stay on screen and were amazing in the publications. At the end of the season, Jaime has seemingly discovered some real regard for Brienne as a warrior, also.
Stannis, conquered by the Lannisters, returns home to lick his wounds. Distraught over having helped in killing Renly and uncertain of his future, he looks into the fires and seems to see something — his ultimate success? This was among the storylines that disturbed me as a novel reader since I always believed it was vital to Robb’s character which he broke his vow to the Freys because of a private error in a moment of weakness, which he believed to repair by carrying on, at any cost, the same moral code as his dad (and we understand how that worked out). After becoming turned on by Talisa cutting off a foot he unexpectedly becomes petulant, and here we’re.
Arya escapes Harrenhal with assistance from Jaqen, who offers to train her as an assassin, which she declines to locate her family. He gives her a unique coin and tells her to discover him say the words “Valar Morghulis.” and she should present it to any guy from Braavos When his face altered some of the most terrible moments of Season Two. Sigh. Sansa was approached at court by Littlefinger, who assured her he could get her house. She said saying that King’s Touchdown was her new house, but Littlefinger reminds her that she’s betrothed to Joffrey, she just has more pain and suffering there in her future. The Dontos storyline from the novels shortened and was cut to have Littlefinger directly rescue Sansa. Littlefinger is much more transparent in his motivations (he also appears to teleport) than in the publications, but I acknowledge it might be too confusing for TV-only audiences to constantly follow his machinations back in the subtle and astonishing means they play out in the novels.